Yaqub Akhtar

Introducing, The Geronide - A hand drawn sans serif. This unique font has 4 styles : regular, condensed, stamp and outline. Very suitable for you who like to create vintage design theme, especially with the amazing and detailed illustration as bonus! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- 4 styles font (regular, condensed, stamp and outline)
- 14 neon vintage retro illustration
- 9 editable logo templates
- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Ckornoments is a two-font family of corner ornaments that was inspired by decorative grave ornaments. Similar ornaments can be found on old furniture and woodwork. Almost all ornaments come in sets of four for placement top right and left and bottom right and left. The two fonts, solid and outline, are designed to be used in layers but can be used separately. In addition, ornaments that include flowers have one part of the design separated out so the original and separated characters can be layered to give bi-colored images (or tri-colored with an outline). These ornaments are suitable for posters, newsletters, personal notes, and on other types of documents that benefit from framing. In addition to serving as corners, the ornaments can also be used as dividers between sections of text.

Introducing Holakia, a monoline script font based on the condensed style that is trendy, elegant and stylish. Supported by many OpenType features such as discretionary ligatures, swashes, contextual alternates, it has the potential to create interesting, beautiful and eye-catching typography combinations.

Halokia is available in upright and italic versions. This font is perfect for use on packaging designs, quote prints, wedding invitations or personal logos.  It is ideal for displaying something that is old-fashioned to make it look more modern and bold.

Ungap Blocks

This font was designed by blocks, square glyphs, by Pedro Teixeira Foundry

Introducing, Blue Jones - Display brush typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- numbers and punctuation
- multilingual
- ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Here’s Imaginary Cash - it features a full set of crusty upper- and lowercase letters, as well as ligatures for the most common double-letters (bb, cc, dd, ee, ff, gg, hh, kk, ll, mm, nn, oo, pp, rr, ss, tt, ww, xx and zz) Included is also multilingual support.
It is definitely a comic font - but you tell me…does it also have a bit of horror in it?

Rodia is an Oddball Geometric Sans typeface consisting of nine weights in both roman and oblique. It’s a geometric sans with a twist that’s perfect for branding and identity projects – it will also give your body text a unique voice. Inspiration came from the iconic “RADIO” signage that was once in place at 5041, Pico Boulevard, Los Angeles in 1985 (documented at https://tinyurl.com/y2krt2ox). 

With its distinctive leg, the /R/ provides a personality trait to define the style of the character set. You can clearly see how this characteristic separates Rodia from other geometric sans families – the /k/v/w/x/y/K/R/V/W/X/Y/ glyphs all display the distinctive ‘feet’ and ‘hands’ as terminals to legs and arms. Then there is the /A/ with its triangular crossbar – this triangular motif has been used to embellish alternates in Stylistic Set 1 for /A/E/F/G/H/Q/S/ glyphs. These will add another layer of versatility for your typographic projects.

Rodia features an extensive character set covering all Latin European languages.

Key features:

• 9 weights in Roman and Oblique
• Full European character set (Latin only)
• 400+ glyphs per font.

‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind ‘Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Friendly Yellow is my sketchy/scratchy handmade sans font. I’ve made several layers for you to play around with, in order to get that feel-good handmade-sketch-font-look! I’ve also added ligature substitution for the most common double letters

Hejira means “rupture” and this concept was the primary principle that guided the creation of this typeface: to escape conventions and take up the challenge of designing letters with an unusual and fresh approach. 
Unlike traditional typefaces, each member of this somewhat atypical family has its own distinct personality and formal features. A thin, spiky font that looks like its sharp serifs could pierce through. A more experimental sibling, based on the same skeleton but taken to the extreme, that is best suited to setting big titles. An odd-one-out, sans-serif style whose shapes mimic those generated by the movement of a calligraphic pen. And a quirky fat-face with a flair for combining round curves with pointy elements. Regardless of how different they may be, all four styles feel part of the same system and can be used alongside each other seamlessly.
The Hejira set includes multiple ligatures and supports a wide variety of Latin alphabet-based languages.

‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind ‘Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Opheline is modern display serif family of 9 fonts. The family consists of 9 weights, ranging from thin to black. The thin version reflects elegance and soft texture, while the black version represents modern and strong appearance.

The vast range of Opheline family will help you to tackle your designs problem that need professional or classical touch; from the professional-look branding of law firm to classic-historical product branding.

Bouba Round is more than it seems on first sight. It combines the best of two worlds, having an expressive character with its round and friendly shapes and performing great in every typographic aspect. The type family is a true workhorse, ready for serious typography. Creating a round typeface with a great reading experience has been our guiding principle throughout the design process — Bouba Round needed to work in small sizes and long text as well as in Headlines.

To ensure a great reading experience in most languages, Bouba Round has a huge language support including nearly all latin based languages, Greek and Cyrillic. On top of an extensive language support, Bouba Round is loaded with a lot of icons, arrows and graphic elements for modern UI/UX design. Bouba Round will also be distributed in the variable font format with every complete family purchase, allowing you to control the weight and interpolate intermediate styles.

Introducing, Sunshine Valley Script - a romantic monoline script. A simple hand writing with natural signature style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Boldstrom is a heavy-handed, all caps, display font available in 5 versions. Emphasis was put into strong line weight, minimal contrast, and tight curves. This family is defined by very broad stems with comparatively thinner cross strokes. Spacing was condensed to ensure the characters fit snug against one another. This was done in part to minimize negative space while also creating tension. The result is a powerful looking sans serif designed to command attention and make a statement. Boldstrom will be best used in large format print, titling, books, movie posters, or company logos. This family is equipped with Basic Latin, extended Latin, diacritics, Cyrillic, Greek, support for Polish, symbols, punctuation, and kerning.

Inspired by the modern and futuristic sans serif concept, the SHARY font is bold and cool. SHARY font has 54 families from thin to heavy. Besides that, the urban concept is very cool when combined with the SHARY font.

Apart from using capital letters for the display font, SHARY also contains small letters which are cool and suitable for text. Multilingual various languages are also supported.

For logotype or esport, the logo fits perfectly with this font style.

Let’s make SHARY font as your cool font collection for future and current projects.

Witch Hazel has been quite a while in the making; a fun font with slightly flared serifs, lots of ligatures and alternates, and over 1150 glyphs!

This font is great for holiday designs, from Valentine’s Day to Halloween to Christmas! It also bridges modern and vintage styling, so you can use it for fairy tales and pirates, or for your company’s branding and logo!

I just couldn’t stop adding more and more to this font.  Witch Hazel includes:

- The usual A-Z, a-z, 0-9, and tons of punctuation;
- Greek uppercase letters;
- Cyrillic uppercase letters;
- Over 430 extended Latin characters;
- Small caps;
- Decorative alternates for all letters (some letters have up to 8 alternates!);
- Numbers and uppercase letters with pointy spurs;
- Numbers and uppercase letters with rounded spurs;
- 40 two-letter ligatures!

For my FontSpring crafters, I’ve also included the two spurs alphabets in their own simplified font file; just type the lowercase letters and regular numbers for the pointy spurs, and type the uppercase letters and hold down Shift while typing numbers for the rounded spurs!

All characters are OpenType coded and PUA-encoded, so they can be accessed by all design programs.  And I’m including a PDF with the full character list; you can use it for reference, or you can copy/paste directly from the PDF into your project!

A font from outer space, CA Weird Stories - the perfect font for science fiction novels or to create a spooky atmosphere. A bit too weird and a bit too slanted for this world. Treat yourself with the ability to stack the two styles on top of each other to create great special FX. You may even consider to use the “fill” style on its own, it might look a bit uneven, as it was actually designed to be used in combination with the “shadow/regular” style, but hey – that’s what this font is all about!

In English folklore (in particular that of Yorkshire and Lancashire), Grindylow is a creature that dwells in rivers and lakes and is said to grab children who come too close to the water’s edge and drown them. It is thought the name Grindylow may be connected to the monster Grendel.

Grindylow font does not grab children; it is a rather messy handmade brush font. I used a cheap brush and Chinese ink to create the glyphs.
Comes with discretionary double letter ligatures for the lower case.