Yaqub Akhtar

Now here’s a font that won’t spoil anything!
It’s my ALL CAPS brush font with slightly uneven and quirky lines. Just enough to make font look lively and fresh, but not overdoing it. Every letter has 7 different versions, which automatically cycles as you type - and I have added an extra SMALL CAPS for each letter. Exchange every letter here and there with SMALL CAPS, and you will get an even more authentic result!

I used to be a tour guide and spent a lot of time in Asia. One thing that I really liked, was having noodles, ANY kind of noodles, for breakfast!
Breakfast Noodles is a very uncomplicated headline font: I made it while seriously renovating our ‘new’ home (a fixer upper farm), which means that this particular font was made over a period of almost 3 months… It wasn’t exactly a letter at a time, but close.

I will try and make the next font in, say, under two months… Hopefully!
In the meantime, enjoy this one!

The POSSIBLE typeface is supplied in two equally plausible states – Possible Sans and Possible Serif. The two families are identical, only the name is changed and the downloads include both classifications. Possible Sans is a sans-serif impersonating a spur serif, and Possible Serif is a glyphic with the look and feel of a sans. Possible is either, and either is possible.

This clean, contemporary typeface is inspired by Percy J Delf Smith’s ’Petit Serif’ from 1928, and similarly takes inspiration from Johnston’s Underground, though more recent influences provide geometric and humanist elements that, together with the micro-serifs, improve clarity and legibility.

Spur serifs such as Petit Serif, Copperplate and Liberty are often caps-only fonts, but Possible contains a lowercase, as well as a full Latin Extended-A character set.

Possible is available in five weights – Thin, Light, Regular, Medium and Bold – each with a corresponding, optically-corrected italic.

Secretary Typewriter is a typewriter font in a lighter, softer weight that makes it perfect for more delicate designs. Use it in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc.

Secretary Typewriter includes:

- Contextual alternates. Each letter and number has 3 slight variations that appear “randomly” for extra realism.
- Underline version of the font. For a grungier look.

About the design:
Spitzkant is a serif typeface family that is characterized by strong contrasts. Pointed, sharp serifs and edges contrast with round and fine forms, making it very individual and expressive. This makes it particularly suitable for branding, editorial, packaging and advertising. The high-contrast display version has been complemented by a lower-contrast text version, making Spitzkant in combination suitable for both strong headlines and extensive body text. An allrounder that can be used for many purposes.

Features:
The Spitzkant Head and Text family has a total of 2 optical sizes, 5 weights and 20 styles, from thin to bold and matching italics. With over 850 characters, it covers over 200 Latin-based languages. It also has an extended set of currency symbols and a whole range of open type features. For example, there are alternative characters as Stylistic Sets, Small Caps, automatic fractions and many other features.

Ligatures:
Especially the extensive selection of ligatures (standard and optional) is a special feature which was an important part during the design process. With over 95 different ligatures there are many possibilities to give headlines and logos an individual touch.

You can try Spitzkant with the free „Text Medium“ style.

Introducing, Dehors - A Western Display Typeface. Suitable for design needs with a touch of classic western, especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

The famous lettering “Capital Trajana”  (inscription at the bottom of the column that bears its name erected in the year114 A.D.) is usually identified as the classic example that defines Imperial Capital forms.
However, much earlier, there were already countless examples of Greco-Roman epigraphy of excellent execution, as evidenced by the monumental inscriptions from year 2 b.C. sculpted in the Portico di Gaio e Lucio Cesari in front of the facade of the Basilica Emilia, in the Roman Forum, erected by Augustus, dedicated to his two grandchildren for propaganda and dynastic needs.
It has been more than two thousand years and the forms of these letters are still part of our daily life, product of their qualities of readability and beauty.
It is probably the added semantic value that have made them an icon full of symbolism that expresses majesty, monumentality, order and universal power.
Numerous authors, calligraphers and designers have studied this legacy such as Giovanni Francesco Cresci, Edward Catich, L.C. Evetts, Armando Petrucci, Carol Twombly, John Stevens, Claude Mediavilla, just to name a few.
MarcusTraianus is a fitted version of the two models mentioned, which is accompanied by Small Caps, lowercase (carolingas) and a set of numbers (Indo-Arabics) in addition to the Romans figures and diacritics for Central European languages
MarcusTraianus is presented in two weight: regular and bold.

Use this font to make lines, borders, patterns, backgrounds, unique bullets, or use it inline within text.

Let your imagination explore the possibilities to combine these geometric shapes. Use letter spacing to connect the shapes in a continuous pattern, or space them apart horizontally. Stack them vertically and control their distance with leading (line spacing). Make fields of pattern and explore layering and opacity for color mixing. FormPattern Color Six takes inspiration from mosaic patterns seen in the south of Italy.

It is easier to use this font to make patterns than to use drawings because you can control the size, color, and spacing from the type menu. It is also an effective way to make web graphics that are responsive with text.

Using it is simple. As you type, forms will appear instead of letters. Each font in this collection is a colored set. The sets are primary, secondary, tertiary, analogous, dark, old world, vintage, greyscale, cool grey, and warm grey. There is a solid font that can be colored in the same way as regular fonts. The color fonts are accessed in the type menu where you would normally find the different weights or italics.

Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. It can work with the simplest text editors too. However, these may not support the color options.

FormPattern Color Six is a vector-based and fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions).

This version of FormPattern Color Six is compatible with all FormPattern fonts by Tarallo Design. The display artwork shows it paired with the typeface Scanno.

Pockota is a retro, soft display serif typeface with 12 fonts.

Ranging from light to black with its matching italics, Pockota offers many possibilities to be applied in many graphic or editorial projects. Lighter weights are suitable for body text, and the heavier weights are perfect for striking headlines.

Thanks to the OpenType features built in, many stylistic sets and swashes are fun to play with. And with the extended latin character set, so that Pockota supports 200+ latin-based languages.

Pockota is a classic and timeless typeface, perfectly suitable for display purpose such as branding, editorial, headlines, and packaging.

Key features:

- 6 weights in Roman & Italic
- Extended Latin character set that supports 200+ languages
- 721 glyphs per font (Roman); 690 glyphs per font (Italic)
- Opentype features: swash, stylistic sets, standard ligatures, discretionary ligatures, contextual ligatures, contextual alternates, oldstyle figure, fractions, circled number, arrows, subscripts & superscript, historical forms, localization, case sensitive

“Rough Marker” is a bold and stylish handwritten fontface. It comes with 2 variation of letters, swashes & lines, ink drips and some bonus symbols.

With Royale, Resistenza reinvented the bifurcated Tuscan genre in a contemporary, warm and playful form.
Royale Basic doesn’t include ligatures or alternates. Now our aim was to complete this decorative family with an italic version of the font. 
Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale italic comes in 8 weights which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised.
While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used.

Claudia Fiesta’s sensitive and natural contrast appeals their styles more cultivated.
The bold contrast between styles is minimized, but individual styles are displayed to stand out.
And Uppercase’s valiant Alternates will make your designs impressive.
These stylistic alternates apply to all uppercase glyphs.
You can choose according to your concepts to improve your design.

Zimric is a family with 28 styles. It has the look of neat hand printing. It is monoline and sans-serif, friendly and legible. The Zimric family has three widths, each width has four or five weights, and each weight comes in both upright and italic styles.