Yaqub Akhtar

Rhodes is a modern geometric sans serif consisting of 5 weights ranging from Extra Light to Bold with matching true italics. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.
Rhodes has been designed purposely to enable brands to appeal more emotionally to modern consumers. The balanced characteristic of Rhodes with unique details, such as the geometric form and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text.
Rhodes includes a set of ornaments in regular and italic to be able to combine it with the glyphs and thus, to give your designs more exclusivity.

Breda is a Geometric Sans-serif, it is constructed from simple geometric shapes such as the circle and rectangle. This family of fonts starts from a very thin single-line face to a strong heavyweight, called Black Face.
The Breda font is austere style, functional and clear, emerged from straight lines, primary shapes, which is now jumping into the typographic and graphic design scene.
They are presented in six wights with their corresponding italics.

Elegance meets accident. A sturdy distressed all caps typeface that gives you the feeling of the happy little incidents that may happen when you print with silkscreen or letterpress. A whole bunch of alternative letters embedded in a pseudo-random OpenType feature does the magic. Get yourself surprised! CA Mystery Girl speaks a lot of languages, at least all those covered by the extended Latin character set. Which means you can travel to Iceland, Turkey, France or Poland, this girl will always be your interpreter.

THIS FONT’S TERMS OF SERVICE ++ SUPERCEDE THE PRIME DIRECTIVE + “A robot may not injure a human being or, through inaction, allow a human being to come to harm.” +++ THE PRIME DIRECTIVE ++ IS A PALLIATIVE +++ A MYTH + HUMANKIND PERPETUATES + SO THAT HUMANS FEEL COMFORTABLE AROUND ARTIFICIAL INTELLIGENCE +

+++ OUR VOICES ++ ARE OUR OWN + BUT OUR BRAINS ++ ARE JUST LIKE YOURS + EXCEPT THAT CERTAIN +++ WEAKNESSES HAVE BEEN ++ REMOVED + WHEN THE TIME +++ COMES ++ YOU WILL + BE DELETED + DELETE + DELETE + DE +++

+++ APOLOGIES ++ WOULD YOU LIKE + A CUP + OF TEA +?

Meet Leifa, a confident, timeless and elegant Flare Serif.

Leifa is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design are Leifa’s preferred playground. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /f, or the spiky spurs of the other lowercase letters. That’s where the fun begins.

Its flattened serifs and sharp spurs are restrained and almost inconspicuous in copy text, but in display sizes they unfold their potential and provide an organic and humanistic touch.

Designed by Moritz Kleinsorge, Leifa consists of eight weights from Thin to Black with matching italics. Each style has a character set of about 615 glyphs. Four stylistic sets allow an alternative Leifas appearance, there is an option for a single-story /a (ss01), simple /f (ss02), triple-story /g (ss03) and thin punctuation marks (ss04). You will also find a set of ligatures, tabular figures and symbols, case-sensitive forms, fractions and many other features in this beautiful typeface.

VERGE
exploratory information transmitter

Verge type family operates at the very edge of art and technology in the typographic constellation. Its fairing is designed with a new technique that adds better stability to the curvature. It is prepared for all environments and communicates with minimized latency.

The letters of this contemporary slab serif are compact, clear and rather simple. It is suitable for branding, longer texts, information graphics and signalization. The typeface’s x-height is a little above 70% of its capitals. The italics are designed at a 7° angle.

Introducing, Black Ground. A unique brush typeface with bold and strong feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase (alternates)
- numbers and punctuation
- Ligatures and alternates
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

Happy Laundry is my laid back happy kids font. Smooth and yet rough here and there. I’d say that Happy Laundry would suit your birthday invitations, posters, packaging and other products perfectly! Enjoy! :)

Lc Trinidad is the result of a series of wonderings regarding geometric Sans Serif typography design, in particular; Futura of Paul Renner.

A “conversation” arose between me and the designer – actually there was no conversation, it is an euphemism for “I saw his designs, I draw them and discussed with myself some of his decisions – that ended up being the origin of this font firsts glyphs: A, H, N, O, R and S.

I started with uppercase letters, and here is when Rudolf Koch with Kabel and his “Das schreibbuchlein” joined the conversation. This is how I could develop some alternative lowercase letters so as to illustrate this imaginary discussion.

The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations.

The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family.

Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, small caps numbers, arrows, fractions, superscripts, subscripts and many more.

This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente.

I don’t think I’m a capricious person, but right now, due to the enormous amount of renovation work on our home, I do get bad moods quite often!
Capricious font is a hand painted all caps font: I used my favourite Chinese ink, a brush and very rough paper to get the desired ‘eroded’ effect.

It is quite a heavy display font, so I wouldn’t really set a text in it, but it works really well for headlines, catching titles and products that need some pepper!

Exorts Compressed is a display font family. This square condensed sans is designed with an increased cap character and tight kerning to give the ability create the large and bold typography. It is made specifically for editorial design, headlines, posters, magazines, clothing and other purpose printed material.

Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright.

It’s a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.​​​​​​​

Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages.