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| Victorian Alphabets Seven is a display font published by Intellecta Design. |
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| Victorian Alphabets Seven |
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| Victorian Alphabets Seven is a display font published by Intellecta Design. |
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| Victorian Alphabets Seven |
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| Pretty Boy is a display serif and dingbat font family. This typeface has six styles and was published by Creative Media Lab. |
Introducing Pretty Boy a decorative serif family.
This font consists of five weights and an ornament and has many alternative options to arrange to get a very beautiful and charming typography art.
Pretty Boy Ornament works great to pair with any fonts too!
This decorative serif family is perfect for all sorts of designs like movie, poster, wedding invitations, and also work great for logo, branding, headers or labels.
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| Pretty Boy |
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| Designed by Rodrigo Araya Salas and Franco Hernández, Clarence Pro is a hand display and dingbat font family. This typeface has eight styles and was published by Rodrigo Typo. |
Clarence pro, is a version with many alternatives such as ligatures and alternatives in letters, it also contains the Greek and Cyrillic alphabet, especially for children and teenagers!
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| Clarence Pro |
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| Designed by David Kerkhoff, Gravitational Pull is a hand drawn and script font family. This typeface has two styles and was published by Hanoded. |
My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well.
Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs.
And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.
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| Gravitational Pull |
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| Designed by Jakob Fischer, Sticky Rush is a hand display and hand drawn font family. This typeface has four styles and was published by Bogstav. |
This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.
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| Sticky Rush |
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| Designed by David Kerkhoff, Gravitational Pull is a hand drawn and script font family. This typeface has two styles and was published by Hanoded. |
My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well.
Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs.
And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.
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| Gravitational Pull |
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| Designed by Jakob Fischer, Sticky Rush is a hand display and hand drawn font family. This typeface has four styles and was published by Bogstav. |
This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.
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| Sticky Rush |
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| Designed by Giuseppe Salerno, Annuario is a sans serif font family. This typeface has forty-eight styles and was published by Resistenza.es. |
Annuario is a sans serif font family made by 48 fonts
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| Annuario |
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| Designed by Ana Parracho, Dramatico Script is a multiple classification font family. This typeface has five styles and was published by Ana's Fonts. |
Dramatico is a script font family inspired by vintage handwritten postcards and notes. Perfect for any design that needs a vintage calligraphy look, Dramatico was handmade using a real dip pen and ink. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.
Dramatico includes:
- Ligatures for a more natural text
- Swashes for most of the lower-case letters
- A set of ornaments to decorate your text
- A set of extras (lines, scribbles, arrows, splatters, etc) to add a grungier look to your vintage designs
- Bonus! Underlined and Strikethrough versions of the script font
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| Dramatico Script |
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| Designed by Jeff Levine, Show Card Freehand JNL is a brush display and hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards.
Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.
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| Show Card Freehand JNL |
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| Designed by Ricardo Marcin and Erica Jung, Tenacious Brush is a brush display font published by PintassilgoPrints. |
Tenacious Brush is an expressive font, provocative, free spirited and wild hearted.
It’s an all-caps face, with 4 alternates for each letter and 2 for each numeral — some letters also have stylistic choices. For that spontaneous hand-painted feel, you know. Turn on the contextual alternates feature to automatically cycle all these variety of glyphs. Or pick your choices manually, a task that’s that nowadays is truly fun with the ease offered by some applications when the font has a feature called ‘access all alternates’, which is absolutely the case here! If working in Adobe applications, for example, just select a glyph and you’ll see the other options for that one. Love it!
In addition to multiple alternates, the font brings yet some useful ornaments to give an extra buzz here and there. And let’s not forget to mention the extended language coverage.
Definitely a cool brush font, with a contemporary punch, offering endless design possibilities: logos, poster art, branding, bold imagery, packaging, t-shirts, apparel and much more… Always with loads of attitude included. Step into it!
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| Tenacious Brush |
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| Designed by Jeff Levine, Rock Concert JNL is a display, hand display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Rock Concert JNL is a playful free form type design inspired by the opening title and credits for the 1964 motion picture comedy “Send Me No Flowers” starring Rock Hudson, Doris Day, and Tony Randall.
Strongly resembling hippie movement poster lettering of the mid-1960s, this fonts fits well with any retro project emulating the “Peace and Love” movement or (as its name implies) re-creating period piece rock concert posters.
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| Rock Concert JNL |
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| Designed by Jeff Levine, Road Picture JNL is a display sans and hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.
Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.
Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.
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| Road Picture JNL |