Yaqub Akhtar

Aventa is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges.

It has distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework.

Its bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility.

It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa’s matching italics sloped at a lively 8º help give it a full range of expressions.

Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Each font contains just under 400 glyphs with full Western, Central and Eastern European language support.

The initial inspiration for the design of Technical Standard VP came from examining the various types of precisely machined labels on tools from cameras to cars, which need to be perfectly legible at all sizes. The unique streamlined look such processes achieve was carefully reinterpreted and manually refined over the course of two years. The resulting font is at the same time robust and stylish, both universal and unique, with its ten distinct styles offering great versatility.

All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages.

To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, an optional slashed zero, separate old-style and lining figures, small capitals, and contextual alternates.

The typeface TWIGS 4 kids was originally designed for a garden exhibition for children by Daniela Costa, Julia Stanossek, Alexander Branczyk and Manuel Viergutz.

4 font-styles (Einerseits, Andererseits, Invert, Icons) with 495 glyphs (Adobe Latin 1) incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (20+ stylistic sets).

For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

■ Font Name: TWIGS 4 kids
■ Font Weights: Einerseits, Andererseits, Invert, Icons + DEMO (with reduced glyph-set)
■ Font Cate­gory: Dis­play for head­line size
■ Font For­mat: .otf (Mac + Win, for Print) + .woff (for Web)
■ Glyph Set: 495 glyphs (Adobe Latin 1)
■ Spe­cials: Decorative extras like arrows → emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as Open­Type Fea­ture. dlig) and stylistic alternates (20 stylistic sets)
■ Design Date: 2005–2020
■ Type Desi­gner: Alexander Branczyk, Daniela Costa, Julia Stanossek, Manuel Viergutz

Varese is a geometric and modular typeface inspired by early 1900s European posters. It is heavy and excellent for display or large body text. The design of this font explores the boundaries between unity and variety in a playful rhythmic dance. Varese will give your content a warm, nostalgic, robust, and friendly tone.

The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form. The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not.

Varese Soft has a sibling, Varese

Solo Print mimics letters that had a close encounter with a slightly bad copy machine, The 5 different versions of each letter makes it even more realistic!

Introducing, Stargation. This display script has unique anatomy with thin and condensed glyhps which is brings the casual and playful feel. Perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Stigsa Display is a high-contrast typeface inspired by transitional and contemporary typefaces. A vertical stress with sharp serifs, delicate and legible. Stigsa Display family consist of 35 fonts: 7 weigths and 5 widths. With 1143 glyphs each. Stigsa Display family with various styles will be an handy tool for a wide variety of designs. The typeface high contrast designed for use in big text sizes and medium sizes. Via the OpenType features allow for the implementation of typographic niceties such as small caps, tabular figures and oldstyle figures, ligatures, case-sensitive, fractions and extended language support.

The Features of Belong Logo and Heading Font Family are that it have both readability and uniqueness.
It touches to achieve uniqueness while conforming to the structure of the Sans Serif system.
These harmonious intersections of the acclimations and deviations were applied to these fonts.
As a result, these fonts can be used beautifully in any body and text area, not just the logo or title.
In addition, circled glyphs will show originality in various emphasis and bullet areas.
Convenience and creativity for professional designers will be shown up in various fields such as the editorial or APP design business.

The family contains two fonts - charged with OpenType features vintage soft serif and a sans serif with corresponding forms and softness.

Serif: Grandma’s sweet and soft recipe with more than 1300 ingredients (lots of alternates, swashes, ligatures and design elements). This font takes it’s inspiration from Goudy, Windsor and Bookman typefaces. Watch the video showing the font stylistic alternates and swashes in action https://youtu.be/_MHNizwq1bM

Sans serif: Soft and friendly, it is a simple 1970s inspired geometric grotesque to use as a support font with Praliné Serif or any other serif or script font of your choice.

Both fonts fully unicode mapped so can be used in any application.

Get your designs look like 1970s!

Validity Script is a cute, outlined handwriting font family.

The typeface was drawn and developed by Måns Grebäck and Misti Hammers during 2019.

With swirly letters and charming wilderness it is perfect for a crafty project or an invitation with a personal touch.

It comes in three weights and each weight as Italic, totaling in six styles:
Thin, Thin Italic, Regular, Regular Italic, Bold, Bold Italic

Each font of this family is of high-quality and contains OpenType features.
The fonts have extensive ranges of glyphs; they support all Latin-based European languages, contain numbers as well as all symbols and characters you’ll ever need.

Losta Masta - fun and playful serif family.

Unique, playful and versatile serif family with 40+ ligatures and 100+ alternates that you can combine to get curves and beautiful shapes just in seconds.

type the words and Add the unique shapes from Losta Masta ornament to get more stunning display.

This font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, old classic ,60s, 70s, 80s era, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop.

how to access alternate?

  simply copy and paste the glyph in the pdf alternates character map into your choosen software
  Adobe Photoshop go to Window - glyphs
  Adobe Illustrator go to Type - glyphs

Originally created in 2014, but redesigned and improved in 2020, Remah is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah is certainly the best choice: the wavy shapes that define it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.

Soft Lime is my simple, yet powerful typeface. It definitely fits in the comic department, but is very useful for posters, postcards (do anybody use these anymore?!) greeting cards and anything that needs a legible handmade typeface.
It comes in several versions, that can be mixed for great results - and of course they all have multilingual support!